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An Ingenuous Mini-Farm Permaculture at La Source Dorée, France

An Ingenious Mini-Farm from Rick Meghiddo on Vimeo.

An Ingenious Mini-Farm

La Source Dorée is an ingenious mini-farm. The key to understanding it is coupling these two adjectives: ingenious and mini-farm. It is ingenious because it is complex and multi-layered. It includes cultivating under permaculture principles and functions as educational, commercial, food services, and accommodation facilities. It is ingenious because it can do more with less and because it assumes responsibility for global sustainability. In other words, it is a tangible model for the future.

Aerial view of La Source Dorée

In the early 2000s, Nathalie and Philippe Gaillet-Boidin, then deeply immersed in the world of large international enterprises, embarked on a transformative journey in 2009. They purchased 7 hectares (about 17 acres) of land 30 km (about 18 miles) west of Lyon, and transformed it into a farm dedicated to biodiversity preservation. Their inspiration came from the renowned Australian researcher, author, scientist, teacher, and biologist Bill Mollison (1928-2016). 

Our journey to La Source Dorée was a serendipitous one. We stumbled upon it online while still in L.A., shortly before embarking on a zigzagging 1,500 km between Bordeaux and Lyon. Our lifelong friend Bernard Légé had meticulously planned the trip “through the heart of France” together with his wife, Catherine. It included long walks through historic sites and nature, diving in a river 100 meters below the ground, works of contemporary architecture designed by noted architects, and museum visits. When we discovered La Source Dorée as a farm based on permaculture, we were immediately intrigued and decided to add it to our itinerary.

Thirty-mile distance to from Lyon to La Source Dorée

It was early Fall, and rain was to be expected. When we arrived, it was drizzling. Greeted by Nathalie Gaillet-Boidin, the farm’s co-founder, she guided us throughout the whole place, expressing herself with both knowledge and passion. Her references to physicist and philosopher Aurélien Barrau and Arthur Keller, a specialist in systemic thinking, added a dimension to our consciousness of the Earth’s present and future problems. In mentioning Pope Francis’ encyclical letter Laudato Si, “Praised Be,” the most comprehensive Vatican document on environmentalism, she told us about her permaculture-related involvement with the monastery Sainte Marie de la Tourette, designed by architect Le Corbusier.

Nathalie Gaillet-Boidin with Bernard Légé and Ruth Meghiddo

Another example of Nathalie Gaillet-Boidin’s understanding of basics was her question, “What is the origin of chickens? What is its natural biotope?” Understanding that the chicken is a descendant of the Southeast Asian red jungle fowl from the Indonesial islands, she tried to recreate a natural environment by planting trees around the hen.

The farm, with eight vegetable zones, each different from the other, with small and large fruit trees, with an animal meadow, and with an area for aromatic and medical plants, is not just a self-contained ecosystem. It exemplifies the innovative and sustainable farming practices at La Source Dorée.

At the eight vegetable zones

This ingenious mini-farm can be seen as a beacon of hope for urban farming, as Ruth envisioned it in a different context. Sustainable agriculture can thrive amid living neighborhoods, commercial and industrial areas, and college campuses. The farm’s innovative approach has left this potential for community development. 

Urban Farm

An Ingenious Mini-Farm – TRAILER from Rick Meghiddo on Vimeo.

Always Unfinished Anselm Kiefer in L.A.

Always Unfinished – Anselm Kiefer in L.A. from Rick Meghiddo on Vimeo.

The exhibition of Ansel Kiefer’s “Exodus” at the Gagosian Gallery in L.A., staged at the Marciano Foundation, exemplifies his breadth and originality. The documentary included here illustrates his work, thinking, and personality. Words matter. They inspire Kiefer’s output. He finds sources in the Old and New Testaments, in Kabbalah’s mysticism, and the poetry of Paul Celan and Ingeborg Bachmann. But it is not only words. Landscapes of nature, ruins of bombarded cities, and of cultural behaviors also converged into the reinterpretations and reassembling of his architect’s mind.

 

Kiefer’s use of straw in his work represents energy. He claims this is due to straw’s physical qualities, including the color gold and its energy and heat release when burned. The resulting ash makes way for new creation, thus echoing the motifs of transformation and the cycle of life.

 

Kiefer’s oeuvre encompasses paintings, installations, books, drawings, watercolors, collages, and altered photographs. The physical elements of his practice—from lead, concrete, and glass to textiles, tree roots, and burned books—are as symbolically resonant of complex events of history, memory, and the ancestral epics of life, death, and the cosmos. Full of symbolic thresholds between peoples, places, and times, the paintings are metaphysical allegories that meditate on loss and deliverance, dispossession, and homecoming.

 

Anselm Kiefer was born in 1945, a few months after the end of World War II in Donaueschingen, Germany. Following studies at different schools, he received his art degree in 1969. He lived about twenty years in Hombach (midway between Frankfurt and Stuttgart.) In 1991, the artist left Germany to travel around the world—to India, Mexico, Japan, Thailand, Indonesia, Australia, and the United States. In 1992 he settled in Barjac, France (about 50 km from Montpellier and 100 km from Lyon.) From 2008 he lived in Paris, in a large house in the Marais district, with his second wife, the Austrian photographer Renate Graf, and their two children.

Anselm Kiefer

 

Kiefer fascination with Paul Celan and Ingeborg Bachmann, whom he considers “the best poets of the second half of the 20th century,” is revealing. The love affair between Ingeborg Bachmann and Paul Celan constitutes one of the most dramatic chapters of literary history after 1945. The respective backgrounds of the lovers who came together in May 1948 in occupied Vienna could not have been more different: she, the philosophy student daughter of an early Austrian Nazi member; he, a stateless German-speaking Jew from Czernowitz who had lost his parents in a concentration camp and was himself a survivor of a Romanian labor camp. They both wrote in high German, frequently hard to understand even when knowing the language.

 

Two major recent exhibitions were a colossal installation at the at Palazzo Ducale in Venice (2022) and at Paris’ Grand Palais (2021.)

 

Photo © R&R Meghiddo, 2018. All Rights Reserved.

'>As We Saw It – Part 1: Parisians Paris Part 1 of 4 Parts that covers Paris' living, architecture, spaces for people and the arts.

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