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An Ingenuous Mini-Farm Permaculture at La Source Dorée, France

An Ingenious Mini-Farm from Rick Meghiddo on Vimeo.

An Ingenious Mini-Farm

La Source Dorée is an ingenious mini-farm. The key to understanding it is coupling these two adjectives: ingenious and mini-farm. It is ingenious because it is complex and multi-layered. It includes cultivating under permaculture principles and functions as educational, commercial, food services, and accommodation facilities. It is ingenious because it can do more with less and because it assumes responsibility for global sustainability. In other words, it is a tangible model for the future.

Aerial view of La Source Dorée

In the early 2000s, Nathalie and Philippe Gaillet-Boidin, then deeply immersed in the world of large international enterprises, embarked on a transformative journey in 2009. They purchased 7 hectares (about 17 acres) of land 30 km (about 18 miles) west of Lyon, and transformed it into a farm dedicated to biodiversity preservation. Their inspiration came from the renowned Australian researcher, author, scientist, teacher, and biologist Bill Mollison (1928-2016). 

Our journey to La Source Dorée was a serendipitous one. We stumbled upon it online while still in L.A., shortly before embarking on a zigzagging 1,500 km between Bordeaux and Lyon. Our lifelong friend Bernard Légé had meticulously planned the trip “through the heart of France” together with his wife, Catherine. It included long walks through historic sites and nature, diving in a river 100 meters below the ground, works of contemporary architecture designed by noted architects, and museum visits. When we discovered La Source Dorée as a farm based on permaculture, we were immediately intrigued and decided to add it to our itinerary.

Thirty-mile distance to from Lyon to La Source Dorée

It was early Fall, and rain was to be expected. When we arrived, it was drizzling. Greeted by Nathalie Gaillet-Boidin, the farm’s co-founder, she guided us throughout the whole place, expressing herself with both knowledge and passion. Her references to physicist and philosopher Aurélien Barrau and Arthur Keller, a specialist in systemic thinking, added a dimension to our consciousness of the Earth’s present and future problems. In mentioning Pope Francis’ encyclical letter Laudato Si, “Praised Be,” the most comprehensive Vatican document on environmentalism, she told us about her permaculture-related involvement with the monastery Sainte Marie de la Tourette, designed by architect Le Corbusier.

Nathalie Gaillet-Boidin with Bernard Légé and Ruth Meghiddo

Another example of Nathalie Gaillet-Boidin’s understanding of basics was her question, “What is the origin of chickens? What is its natural biotope?” Understanding that the chicken is a descendant of the Southeast Asian red jungle fowl from the Indonesial islands, she tried to recreate a natural environment by planting trees around the hen.

The farm, with eight vegetable zones, each different from the other, with small and large fruit trees, with an animal meadow, and with an area for aromatic and medical plants, is not just a self-contained ecosystem. It exemplifies the innovative and sustainable farming practices at La Source Dorée.

At the eight vegetable zones

This ingenious mini-farm can be seen as a beacon of hope for urban farming, as Ruth envisioned it in a different context. Sustainable agriculture can thrive amid living neighborhoods, commercial and industrial areas, and college campuses. The farm’s innovative approach has left this potential for community development. 

Urban Farm

An Ingenious Mini-Farm – TRAILER from Rick Meghiddo on Vimeo.

A Permaculture Path Working with Nature, Searching for Regenerative Solutions

The message of the seventeen-minute short documentary A Permaculture Path goes beyond what it shows. It implies sustainability, community, confronting climate change, and finding regenerative solutions to complex environmental challenges.

A Permaculture Path – TRAILER from Rick Meghiddo on Vimeo.

Many cities have already acknowledged the need for urban farming. It is not just about creating community gardens. It is about planning with a broad scope to grow food close to where people live and work.

Permaculture design is about creating edible ecosystems that include plants, forests, meadows, and animals. It looks at the whole, seeing what the connections are and how to make them work harmoniously. Importantly, it is about finding local solutions to global problems.

Frank Lloyd Wright’s approach to learning from nature led him to conceive, back in 1935, an agrarian alternative to a decentralized city. He named it Broadacre City. About twenty years later, in 1958, recognizing rapid population growth, he applied many of his principles to higher-density urbanization, stating that “city and country will be happily married.”

Frank Lloyd Wright’s Broadacr City, 1935

Ruth Meghiddo’s path through nature evolved influenced by Wright’s principles of Organic Architecture and later turned into permaculture design, after discovering the work and philosophy of Australian researcher, author, scientist, teacher, and biologist, Bill Mollison.

Some of these ideas were illustrated in several films we produced throughout the last decade. This latest one condenses segments of some and brings up newer ideas about urban farming design.

A Permaculture Path from Rick Meghiddo on Vimeo.

Permaculture Design for Tomorrow Ecological Sustainability for Cities

Permaculture Design for Tomorrow from Rick Meghiddo on Vimeo.

What is Permaculture? The word derives from “permanent” and “agriculture.” It is a design-thinking process aimed to integrate systems like gardening, architecture, planning, horticulture, ecology, and community development. Permaculture master-planning and design layout the roadmap to sustainability: it connects design elements with the natural world. Permaculture-designed landscapes mimic patterns and relationships found in Nature that provide diversity, stability, and resilience.

 

Bill Mollison, an Australian field biologist, and teacher spent decades in the rainforests and deserts of Australia studying ecosystems. He observed that plants naturally group themselves to support each other, forming guilds.

Today his ideas have spread and taken root in almost every country globally. Permaculture is now being practiced in the rainforests of South America, in the Kalahari Desert, in the arctic north of Scandinavia, Europe, and all over North America.

Why is Permaculture so important and urgent? The challenges facing our food systems are daunting. Every year, the demand for food rises, people flock to cities, climate change alters weather patterns, and unpredictability threatens the ability to get the healthy food we need. Permaculture strives to create sustainable opportunities in growing fresh local food wherever people live. Urban farming ensures thriving the future of cities by maintaining the connection with Nature.

Edible gardens encourage communities to cultivate healthy food, increase physical activity, and benefit their mental state. Growing food in urban farms can become the multi-generational centerpiece of friends and families, providing a place to meet, socialize, share ideas, and have laughter.

For city planners, the main challenge is to promote empty lots as community gardens, plan the inclusion of food-growing areas within existing parks, and stimulate the planting of vegetables and fruit trees in private properties. For developers and architects, the challenge is two-fold: to include permaculture gardens on existing buildings and plan gardens, roofs, and balconies to facilitate the planting of fruits and vegetables.

Rethinking the City Alternative Lifestyles for a Post-Pandemic World

Fareed Zakaria’s new book, “Ten Lessons for a Post-Pandemic World,” conveys a broad view of tomorrow’s possibilities within the context of both history and a rapidly changing present. Zakaria covers accelerated change, quality government, the market economy, expertise, artificial intelligence, tomorrow’s city, inequality, globalization, a US/China bipolar world, and idealists’ leadership.

The argument that most attracted me can be found in Chapter Six. It reasons that while people abandoned cities throughout history because of epidemics, wars, fires, natural disasters, and recessions, cities came back, and people rebuild them better and safer than before. Why? Because, as Aristotle put it in 350 BC, humans are social animals.

This argument inspired me to bring up some former and present architectural solutions that can apply to some of the current crisis’s problems. To put Zakaria’s and our urban-related ideas within a broader context, I recommend reading his book in its entirety.

Fareed Zakaria: GPS Program and New Book

Why Cities?

There is a likelihood that after Covid-19, many people will leave the city life, yet cities will continue to grow. While telecommunication will continue to become transformative both to work and education, human beings like to interact in person. According to an estimate by the United Nations, more than two-thirds of humans will live in an urban environment by 2050. So, the question for rethinking the post-pandemic city is not if it will continue to grow, but how.

Urban vs. Rural Projected Population Growth by 2050

Density

One of the most critical issues to reconsider is population density. From the sustainability point of view, an increase in housing density can free up agricultural land for food production, diminish the need to commute to work, and potentially stimulate human interaction socially, economically, and intellectually.  Does living in dense societies increase the dangers posed by Covid-19? Not necessarily. For example, dense cities like Hong Kong and Singapore had a very low death toll, yet other low-density and rural areas in the United States had much higher death tolls.

Is the subject of safety a design problem or a policy problem? Most likely, it is a combination of the two. The recently re-elected Mayor Anne Hidalgo wants to turn Paris into a “fifteen-minute city” by making all locations accessible by foot or within a fifteen-minute bike ride. This policy has led to major pedestrian-oriented design transformations throughout the city.

Lifestyle

The speculation as to whether the earth’s population will reach ten billion by 2050 or 2070 can affect how we collectively plan using the planet’s resources for food and shelter to provide a sense of physical and psychological safety.   Furthermore, there will be an increased need for transportation, healthcare, commerce, and education infrastructure. The size of the land-footprint that we create will affect the way we live our lives.

Sample Models of Population Density

High Population Density. Paris is a model to consider. Its buildings are 4-6 stories high, zoned as residential-commercial mixed-use. The city is surrounded by trees and plants in the streets and parks.  Aesthetically, it accommodates contemporary design within a historical context. Culturally, it has an infrastructure that stimulates people’s intellectual growth.

Medium Population Density. The Netherlands is a great example of territorial planning. Only 10% of the Dutch population actually live in a big city. Amsterdam, The Hague, Rotterdam, and Utrecht are all connected by highways, allowing many people to commute to work while leaving the country’s heart and soul as the farmlands that the Dutch ultimately wanted to maintain.

Low Population Density. Costa Rica has received a 2019 Champions of the Earth award, the UN’s highest environmental honor, for its role in nature preservation and an ongoing policy to combat climate change. It demonstrates leadership in the use of green energy and the preservation of both forests and oceans. Furthermore, according to the Happy Planet Index, it ranks first in sustainable happiness.

Realistic Idealism

Zakaria titled his tenth lesson, “Sometimes the Greatest Realists Are the Idealists.” While his analysis focuses on policy, I suggest that we can also become inspired by two great architects’ designs.

Frank Lloyd Wright saw policy and design intertwined. When he first presented his 12-foot square model of Broadacre City in 1935, he looked at each individual “broad acre” as a place to enable self-actualization.  The intent was to make room for a large variety of activities, just on a smaller and more personalized scale:

                          “little farms, little homes for industry, little factories, little schools, a little university going to the people mostly by way of their                                        interest in the ground, little laboratories on their own ground for professional men. And the farm itself, notwithstanding the                                          animals, becomes the most attractive unit of the city.”        – Frank Lloyd Wright.

Thirty-five years later, Luigi Pellegrin conceived his new mixed-use model of a spatial structure. He suspended most of the residential units above the areas dedicated to services and commerce.

 

Luigi Pellegrin and Frank Lloyd Wright, 1951

Urban Change with a Stroke of a Pen

Back in 2020: changing people’s minds and rewriting regulations is a long and difficult process. In his conclusion, however, “Nothing is Written,” Zakaria insinuates that changing our mindset is possible.

I would consider changing the residential zoning policies to allow for two units to be built instead of one, doubling apartment availability while also making housing more affordable. Furthermore, one could incorporate edible gardens on the balconies and roofenhancingnce sustainable living aaddingdds beauty to the surroundings. These “stroke of a pen” modifications could have an enormous impact on American cities while generating millions of jobs.

For new developments, medium-rise condominiums could be designed in sections, each with its own private stairway and elevator shaft,  distributing to 12-20 units, which is considered to be the optimal number for socialization,  according to environmental psychologists. Some areas of the city could be zoned for experimentation, free of obsolete regulations.

Medium-Rise: 8-16 Units per Entrance – 2020

Four-Block Transformation with Common Green Areas

Shashlik Scheme: Tree Mixed-Use Towers Interconnected

Coda

My wife and I lived in Tel Aviv during the summer of 1973, having recently returned to Israel following seven years of studying architecture in Rome and then working for Pellegrin. We were twenty-eight years old young professionals, hoping to create our own practice finally.

The Association of Architects and Engineers in Israel sponsored a conceptual competition to design a 5,000 dwelling-unit neighborhood. The submission deadline was scheduled for November.

 

On October 6, the Yom Kippur war started. When the war was finally over, the competition deadline was rescheduled to November of the following year. We had time to rethink. The influence that Wright and Pellegrin had on us was powerfully present in our thinking, along with thoughts about the future of a world with limited resources, projected to reach a population of six billion by 2000 (at the time, the world population was three billion).

Main Concepts – 1974

 

Forty-six years later, after winning the competition, we are facing a post-pandemic future. I still believe that most of the principles that guided our never-built design remain valid. Change for the better is possible.

 

 

¡Pura Vida! A Taste of Nature, Architecture, Permaculture and Lifestyle in Costa Rica

¡Pura Vida! from Rick Meghiddo on Vimeo.

“¡Pura Vida!” is a phrase used daily in Costa Rica, which means “pure life” or “simple life.” It is not a slogan; it is a lifestyle, a way of being. Although I had initially planned to make a visual memoir as my 100th documentary, I ultimately decided to dedicate this occasion to our family experience in Costa Rica six years ago. Why? To raise awareness for the urgency of the need for a change in lifestyle as needed today. 

Covid-19 has globally brought us to a turning point. As it impacts the minds of billions of people since post-WW-II, the American Dream has reached a dead-end. It is simply non-sustainable. For the planet to survive and thrive, we must collectively change our mindset. Costa Rica offers a model worth studying carefully. 

The 25-minute documentary presented here tells much more than I may describe in writing, so consider this blog complementary to the film. Our trip was a 1,000+ km long drive nine-day vacation on a moderate budget, which we planned to combine between nature, permaculture, and architecture. 

The Trip

Gabby created the initial itinerary after consulting with Gabriel Saragovia, who lives in Costa Rica. Gabriel is the son of my old friend Efraim Saragovia, with whom I studied architecture at Israel’s Technion, and now lives in Florida. The father and son duo became sustainability-conscious developers of resorts in Costa Rica. They built Rio Perdido, an award-winning project, which was one of the highlights of our trip.

Our first stop was at La Ecovilla, a community of forty families from different countries, thirty of which having school-aged children. They focus on permaculture, not just as a source of food, but also as a tool for education. 

Finding La Ecovilla was not easy since the streets do not have names, and no signs were pointing us in the right direction. After climbing a rugged road carved from stone, surrounded by jungle-like vegetation, we found a nicely designed gate in the middle of nowhere. When it opened, it felt like entering another planet: Organic Architecture-inspired homes, homegrown food, and community areas geared towards creating a harmonious life with nature. In other words, a meaningful message for a future based on alternative values to a consumption-based society. 

After spending a few hours exploring La Ecovilla, Gabby navigated the one-lane Route 34 road through a tropical storm to our next stop, adjacent to the Manuel Antonio National Park’s entrance. 

The next morning, we were the first visitors of the day to enter the Park. Following a hike through the jungle, with toucans and sloths, we reached a beach that made me feel like a Spanish conquistador stepping on the soil of the Americas for the first time. Our company was birds chirping, iguanas sunbathing, and monkeys swinging between the branches. 

Our next destination was Malpaís, on the northern side of the Nicoya Gulf. We drove to Puntarenas to board the ferry which would take us to Paquera, a 1½ -hour ride surrounded by a view of islands and the sinuous coast of the Nicoya Peninsula.

The path to our destination was an unpaved, bumpy road through the countryside of small farms and ranches. Occasionally we would see a herd of cows grazing on the rolling hills. 

The hotel we stayed at provided a sense of idyllic peacefulness. Without ostentatious luxury, its sparse buildings were immersed in a tropical garden surrounded by dense jungle.

We first explored Malpaís, a laid-back small village with a rocky shore of bizarre volcanic formations and a jungle forest reaching the shore. The main road that links Malpaís with Santa Teresa was the area’s main street, with shops, markets, and stores. 

After a few hours of walking on the beach and talking to people in the village, I got a sense of the vibe. It attracts young, educated people, escaping the traps of urban life. The crowd was quite international, with a strong American, Argentinean, and Israeli presence, which made us feel like a good fit for the place.

On our third day, we explored Montezuma, a small village known for its multi-ethnic bohemian atmosphere of young people looking for an alternative lifestyle. It is also known for its beaches, rivers, and waterfalls. 

It took us most of the next day to reach Rio Perdido, first having to drive back through the Nicoya Gulf. When we finally got there, our first impression was a sense of overwhelm.

“In the middle of nowhere,” five design firms – C2 Arquitectura, Vida Design Studio, Project CR+d, Garnier Arquitectos, and OUSIA Design – led by Gabriel and Efraim Saragovia, had created a masterful architectural complex with virtually no land movement

In respect to the existing natural land it sits on, the facility includes a unique thermo-mineral gorge with eight hot springs. The hotel’s main area was conceived to minimize the number of columns and ease the view of the surroundings. The prefabricated bungalows elevated above the original topography, give a sense of peacefulness, with a 180-degree view of vegetation. The place also has multiple swimming pools at different water temperatures.

Passive cooling techniques were applied throughout the facility that requires little to no maintenance. An “aerodynamic architectural structure” proved to be very effective in properly channeling the currents during the 4 months of heavy winds that this area experiences. Water use was taken into consideration as part of the reforestation effort for the native plant species. The treated water is directed towards the irrigation of thousands of plants.

Besides the architecture, the Rio Caliente hot water river is in itself, an important reason to visit the place. It is not only relaxing, but also has medicinal properties used by the natives for generations. 

For those in search of adventurous excitement, this ecotourism includes a state-of-the-art Zipline course which loops across the main canyon, tubing through the winding currents of Rio Perdido and trails for walking, hiking and mountain biking.

 Our final stop was at the La Paz Waterfall Garden and Zoo, near the Poás Volcano. This is a lush tropical forest with a huge waterfall, and many species of local wildlife, including birds, insects, monkeys and leopards.

 L.A. 2020

We are currently living during the worst global pandemic of the past century, the worst recession since the 1930s, and now we are on the cusp of one of the most critical elections in recent American history. The future is now, and it is daunting. Costa Rica, besides its natural beauty, is a stable democratic republic with a long list of attributes: it is the greenest country in the world, home to the highest density of animal species; It produces 99% of its electricity from renewable sources, has had no army since 1949, has spends 7% of its budget on education (U.S.: 3.5%.) There is much to learn from this small country.

In short: ¡Pura Vida!

End of an Era Ray Kappe and Dion Neutra: Close of a 100-year Time in Architecture

With the passing of Ray Kappe and Dion Neutra in Los Angeles, a heroic era of architecture has come to an end. The tributary sources were two: Organic Architecture in the United States, envisioned by Frank Lloyd Wright and, in Europe, Rationalism / International Style, headed by Le Corbusier, Walter Gropius, Ludwig Mies van der Rohe, Pieter Oud, and Erich Mendelsohn.  These two tributaries bifurcated into many streams, becoming a present-day “delta,” mislabeled as “Modernism.” Both sources wanted to change the world. The first one, by changing people’s mindsets. The second one, by providing how-to solutions easy to apply.

Sources: Wright, Gropius, Neutra, Mendelsohn, Schindler

Ray Kappe’s most creative segment of his productivity belonged to the first source. His houses in Pacific Palisades’ Rustic Canyon remain excellent examples of an indoor-outdoor architecture conceived as a whole. Yet, in spite of this Wright-influenced architecture, Kappe continued to evolve, both as an educator and as an architect. In the last two decades, he embarked on the challenge of creating quality prefabricated homes.

Dion Neutra’s father, Richard Neutra, although aware of the difference between the two currents from having spent some time working for Wright, belonged to the European source. Later called “therapeutic architecture” adapted to California’s weather, it remained linked to the International Style.

Milton Goldman Residence, Encino, 1951

Dion Neutra and Eric Lloyd Wright in Malibu, 2017

Kaufmann Desert House, Palm Springs, 1946

When I read that Kappe didn’t like the term ‘modernist,’ I was not surprised. “He embraced the term ‘modern’ because it represented to be current with the latest ideas, technologies, and materials.” In that sense, as stated by Bruno Zevi, both Michelangelo and Borromini were, in the 16th and 17th centuries, modern to their times.

My first encounter with Ray and Shelly Kappe, Ray’s partner in work and life and an educator in her own right, was during the mid-1980s when they invited Luigi Pellegrin to give a lecture at SCI-Arc in Santa Monica. I was then asked to be the Italian-to-English translator. During Pellegrini’s visit, the Kappes invited us for dinner at their residence in Rustic Canyon. The conversation was definitely “organic.” Following that visit, Ruth and I met the Kappes several times. We sympathized with them. We felt that we had many ideas in common.

My encounters with Dion Neutra were more recent, at Carol King’s Salon, in Pasadena. Dion, who had worked with his father on many projects was, in the last few years, embarked on a one-man crusade to save some of the Neutra buildings from demolition.

The “architectural delta” of the early 21st century is melting into the ocean of the world’s challenges: climate change, sustainability, affordable housing, infrastructure, food production, universal health and education, preservation of nature, and much more. In spite of notable self-expressions by some architects, a meaningful new direction in architecture demands now an urgently needed change of mindsets, beyond that of architectural design language, towards a new meaning of what represents life quality today.

U.N. Sustainable Development Goals for 2030

¡SÍ, SE PUEDE! Women of Action in Architecture and in Politics

This short documentary, “¡Si Se Puede!” is dedicated to women of action on two subjects: architecture and politics. Unseemingly related the two disciplines follow a similar process: DREAM > PROGRAM > DESIGN > BUILD. Both crafts demand courage, imagination, and tenacity.

Dolores Huerta, 89.
Rick Meghiddo

The cry used as the title was conceived by Dolores Huerta (89) during the 1970s and has been since then the motto of the United Farm Workers of America. President Barak Obama adopted the English version “Yes, we can!” first during the 2004 Illinois Democratic primary race for US Senate. It became a slogan of his 2008 presidential campaign.

Dolores Huerta, neither an architect nor a politician – she has always been an American labor leader and civil rights activist – is chosen here as a symbol of a woman fighting for ideas.

Women-Architects and Women-Politicians

The first two Democratic debates of twenty candidates running for President included six women: Senators Elizabeth Warren, MA; Kamala Harris, CA; Kirsten Gillibrand, NY; Amy Klobuchar MN; Representative Tulsi Gabbard, and Self-help author, Mariane Williamson. Their platforms have many overlapping, similar subjects. From all these, the most related to architecture are sustainability, the environment, infrastructure, education, affordable housing, and food production.
Included are also Representative Alexandria Ocasio-Cortez, NY, who won her nomination to the Congress at the age of twenty-nine, and Anne Hidalgo, Mayor of Paris, the first woman to hold the office. Ocasio-Cortez’s proposed Green New Deal is likely to influence political decision-making in the foreseeable future. Anne Hidalgo’s major part of her development program is the improvement of the environment. The infrastructure development plan also includes a 24-hour subway service, a ban on parking in certain areas and days, and the creation of new green areas, including urban farming.
The women-architects presented in the documentary come from different countries – Canada, Irak, Poland, Israel, Mexico, the Netherlands, France, Italy, Spain, Germany, the UK, and the US – and they have built, besides their countries of residence, in Bangladesh, China, Morocco, Saudi Arabia, the Palestinean West Bank, and New Zealand.
There is a gap between the politicians and the architects on the broadness of worldview. While most of the politicians look widely at climate change, their vision on the physical implications of some of their subjects is limited to what is known. Architects, by training, learn to think globally and in multiple layers of complexity, and only then they work on the details. They use not only logical thinking but also lateral thinking, which implies infinite possibilities.
Besides Zaha Hadid, who died in 2016 at the age of sixty-five, the most innovative of the women architects brought here is Elizabeth Diller, a Partner of Diller Scofidio + Renfro. Her works include the High Line in New York and The Broad in Los Angeles. The Shed, currently under construction at the northern end of the High Line, is scheduled for completion in 2019. When completed, it is likely to become a revolutionary new icon of multi-use architecture. The $500m Center for the Performing Arts will house a vast transformable space and a big open piazza able to be covered by the extension of the movable outer shell, clad with an inflatable skin of quilted pneumatic cushions.
The Chicago skyline would not be the same without American architect Jeanne Gang. Aqua, the unique skyscraper that has become well-known for its wavy facade, is the third tallest building in the world designed by a woman. Most recently, she was named to the TIME 100 most influential people of 2019.
Also significant is the use of bamboo as a building material in the works of Anna Heringer in China and of Elora Hardy in Bali. Bamboo, an eco-friendly construction material, is one of the fastest-growing plants in the world.
Another architect to follow is Benedetta Tagliabue. In 1991 she founded the studio Miralles Tagliabue EMBT with Enric Miralles (1955-2000.) Her works include the Scottish Parliament in Edinburg, The Santa Caterina Market in Barcelona, and the Spanish Pavilion in Shanghai, shown here.

Architects can take initiatives without waiting for a commission, but, in the final event, moving from paper-architecture to built-buildings requires other decision-makers: clients, city authorities, bankers, the community. The role of politicians is critical when the decisions needed are related to the urban environment, housing, and public institutions.

Politicians may – and should – dream big, yet moving from dreams to legislation to implementation demands, to a great extent, relaying on imaginative architects, who should possess, besides their skills, high moral standards.

A Personal Note

Influential women occupied a dominant place in my life. My mother, Fanny Frenkel de Maghidovich, was a strong presence not only at home but also publicly. As Secretary-General of Argentina’s WIZO (Women International Zionist Organization,) she influenced thousands of listeners with her rhetoric in impeccable Spanish.
I grew up surrounded by loving aunts. From these, my aunt “Chichi,” Dr. Marta Luz Frenkel, is an attorney still going to work every day at ninety-four. She is more “a big sister” than an aunt, and I rely on her judgment. I was also blessed by women-teachers of Spanish, English, and Math and I befriended some extraordinary women: Nancy Reeves, a pioneering feminist; Irena Kovaliska and Ilana Offer, committed artists; Sylvia Manheim, a political activist still fighting for human rights at ninety-four. The list goes on and on.
Last but not least, are my wife Ruth, also a partner as an architect, and our daughter Gabby, who, after practicing psychiatry, is still looking for new challenges. They both make a dent on my daily decision-making.

As We Saw It – Part 3: Paris Green Urbanity Green Open Spaces as Urban Design

Vision and political will are a good combination. This is the case of Paris 2018, looking into the future with pragmatic imagination.

Anne Hidalgo, Paris’ first female mayor

Stephane Malka Architecture, Paris

Parisians have a high consciousness level of sustainability and climate change. They are now led by their Mayor, Anne Hidalgo, who has decided to turn their city into a green capital of the world. Besides seven major projects under construction to transform famous squares into pedestrian and bike-friendly areas, urban farming has now new legislation that promotes growing vegetables on roofs and public spaces.

in the accompanying documentary, we have chosen three examples of green urbanity: the Parc de Bercy, the Parc de la Villette, and the Promenade Plantee. They show how building green, when integrated with urban design, architecture and public art, can be transformative.

PARC DE BERCY

Designed by architects Bernard Huet, Madeleine Ferrand, Jean-Pierre Feugas, Bernard Leroy, and by landscapers Ian Le Caisne and Philippe Raguin, the park is made of three gardens connected by footbridges: The “Romantic Garden”, which includes fishponds and dunes; The “Flowerbeds”, dedicated to plant life; and “The Meadows”, an area of open lawns shaded by tall trees.
In the north-east of the park stands the Cinémathèque Française (the former American Center) designed by Frank Gehry, and on the raised terraces are the 21 sculptures of Rachid Khimoune’s “Children of the World” installation, created in 2001 to honor children’s rights.
The park has also a covered skatepark and is adjacent to a major sports arena, the Palais Omnisports, with a sitting capacity of 20,000.

PARC DE LA VILLETTE

The Parc de la Villette is a 37-acre / 55 hectares area that houses one of the largest concentration of cultural venues in Paris. These include the Cité des Sciences et de l’Industrie (City of Science and Industry, Europe’s largest science museum), three major concert venues, and the prestigious Conservatoire de Paris.
The park was designed by Bernard Tschumi, a French architect of Swiss origin, who built it from 1984 to 1987 in partnership with Colin Fournier, on the site of the huge Parisian abattoirs (slaughterhouses) and the national wholesale meat market, as part of an urban redevelopment project. He conceived thirty-five architectural “follies“ to give a sense of orientation to the visitors.
In architecture, a folly is a building constructed primarily as an ornament but suggesting through its appearance some other purpose. One can only imagine what a system of follies could do for a city like Los Angeles, to provide orientation within its vast urban grid. Since the creation of the park, museums, concert halls, and theatres have been designed by several noted contemporary architects, including Christian de Portzamparc, Jean Nouvel, Adrien Fainsilber, Philippe Chaix, Jean-Paul Morel, and Gérard Chamayou. These include City of Science and Industry, ]La Géode, an IMAX theatre inside of a 36-meter (118 ft) diameter geodesic dome; The City of Music, designed by Christian de Portzamparc which opened in 1995 and it includes also a museum of historical musical instruments with a concert hall, also home of the Conservatoire de Paris; the Philharmonie de Paris which opened in January 2015 designed by Jean Nouvel.

PROMENADE PLANTÉE

The Promenade plantée (also called Coulée Verte – “Green Stream”) is an extensive green belt that follows the old Vincennes railway line. Beginning just east of the Opéra Bastille with the elevated Viaduc des Arts, it follows a 4.7 km (2.9 mi) (2.9 mi) path to the Bois de Vincennes.
At its west end, near the Bastille, the parkway rises above the surrounding area and forms the Viaduc des Arts, over a line of shops featuring high quality and expensive arts and crafts. The shops are located in the arches of the formerly elevated railway viaduct.
The design was created by landscape architect Jacques Vergely and architect Philippe Mathieux. The Viaduc des Arts was designed by architect Patrik Berger, who also designed the recently completed Canopy of Les Halles.
The project is an ultimate example of “walking urbanity,” with multiple experiences along its path. It includes different types of gardens, it traverses existing buildings, it crosses boulevards. Twenty years later, Promenade Plantee inspired the now successful High Line in New York.

The creation of a humane urban quality does not depend only on the quality of a city’s buildings. The design quality of open public spaces, way beyond landscape architecture, is critical. It the demands imaginative long-term thinking accompanied by political vision and will.

Photo © Rick Meghiddo, 2018. All Rights Reserved.

As We Saw It – Part 2: Paris Builds Recently built: Louis Vuitton Foundation, Foundation Jérôme Seydoux-Pathé, New Palais de Justice, The Canopy of Les Halles

The four recently completed architectural works that accompany the documentary “Paris Builds” send powerful messages of what is possible to elevate the quality of life in the city.

Side View

Gehry’s Louis Vuitton Foundation is not only an architectural masterpiece and a new icon in a city where icons abound, but it also brings an example of what is possible to cover urban spaces, an alternative to Buckminster Fuller-like geodesic domes.

Renzo Piano’s Foundation Jérôme Seydoux-Pathé is a hidden gem that exemplifies what is possible in a small site surrounded by historic buildings.

Paris’ new Palais de Justice, also designed by Renzo Piano, responds to a very complex program – ninety new courtrooms built vertically – while confronting sustainability and the creation of new green spaces on roofs.

Also, the Canopy of Les Halles, designed by architects Patrick Berger and Jacques Anziutti, sensibly responds with daring technology to an urban place crossed daily by tens of thousands of people, in a historic location that Emile Zola called “The Belly of Paris.”

The Louis Vuitton Foundation

Commissioned by Bernard Arnault, head of the LVMH luxury brand empire, the complex houses his collection of modern and contemporary art and hosts temporary exhibitions. Built on public land with private funds, it will be given as a gift to the city in 55-years time.

Inserted in the middle of Bois de Boulogne’s woodland park, the building is an assemblage of white blocks, so-called “icebergs,” clad in panels of fiber-reinforced concrete, surrounded by twelve immense glass “sails” supported by wooden beams. The sails give Fondation Louis Vuitton its transparency and sense of movement while allowing the building to reflect the water, woods and garden, and continually change with the light.

The ground-level entrance hall is designed as an active social space, featuring a restaurant and bookstore. The ample, multi-purpose space directly adjacent to the entrance hall may be used as an auditorium accommodating 350 persons, an exhibition space, or an event venue.

The upper floors accommodate straightforward gallery spaces. Of the 11,000 m2 across which the building spreads, just 3,850 m2 are exhibition rooms. More than 3,600 glass panels and 19,000 concrete panels that form the façade were simulated using mathematical techniques and molded using advanced industrial robots, all automated from the shared 3D model. The new software was developed specifically for sharing and working with the complex design.

The structure of the glass roof allows the building to collect and reuse rainwater and improves its geothermal power. Besides, the Foundation has attained its overall goal to reach HQE (Haute Qualité Environmentale) certification noted as Très Performant. The steps taken to achieve this level of certification could be considered equivalent to LEED Gold.

The Foundation Jérôme Seydoux-Pathé

The new headquarters of the Fondation Jérôme Seydoux-Pathé, by architects from Renzo Piano Building Workshop, is an unexpected presence, a curved volume glimpsed floating in the middle of a courtyard, anchored on just a few supports. It is complemented by a group of birch trees, a floral island set in the dense mineral context of the city.

This “organic creature” is located in the courtyard of a 19th-century block that includes a complex of historical Hausmann-era buildings. This structure houses the headquarters of the Foundation Jerôme Seydoux-Pathé, a foundation dedicated to preserving the history of the French film company Pathè and to promote cinematography.

The 839 m2 headquarters are located in Paris’ 13th arrondissement and their construction has been completed in September 2014. The clever use of the site includes a main entrance on a restored and preserved facade along the Avenue des Gobelins which features sculptures by Auguste Rodin. This stone-made building is not only a historical landmark, but also an icon and symbol for the Gobelins area of Paris.

New Paris Palais de Justice

Since the Middle Ages, Parisian justice has been dispensed from the famous building that surrounds the Sainte-Chapelle on the Île de la Cité. However, over the years an increasing shortage of space has resulted in many good offices having to be located in a multitude of locations spread out over all four corners of the city. The new Paris law courts at the Porte de Clichy will enable the judicial institution’s courtrooms and offices to occupy the same building.

The new law courts stand 160 meters high, has an internal area of around 100,000 m2 and accommodates up to 8,000 people per day. The building’s facades are fully glazed. On the three blocks of the tower, fine blades extend the glazing beyond the facade, exalting its verticality. The building’s primary structure, robust and orthogonal, ensures flexibility over the long term that will be able to accommodate future requirements and any changes in the way the justice system operates.

In developing the scheme, the architects sought to reduce the apparent scale of the building by breaking it down into four volumes of decreasing size.

50 desks within the reception areas minimize visitor waiting time, while three atria ensure that space is filled with natural light. A system of vertical and horizontal circulation routes lead to the 90 courtrooms above. The subsequent three volumes, which contain around ten-story each, include offices and meeting rooms: the second is the domain of the magistrates, the third of the public prosecutor’s offices, and the fourth and final volume houses the presiding judges.

The stacked system results in large roof terraces — around a hectare in total — which have been landscaped and planted with trees and other vegetation. From an environmental standpoint, the project employs a range of strategies including the use of natural ventilation, the incorporation of photovoltaic panels on the façade, and the collection of rainwater.

The Canopy of Les Halles

The long-awaited cultural center and metro station created by architects Patrick Berger and Jacques Anziutti on the site of a historic Paris marketplace is now a new urban reality. The design at Les Halles is known as the Canopy due to its enormous umbrella-like glass roof, which comprises 18,000 pieces of glass supported by 7,000 tons of steel.

Construction on the €1bn (US$1.42bn) project, funded by the City of Paris, began ten years ago following several architecture competitions to choose a design popular with both politicians and the public.

The completed Canopy and the center below replaces a deeply unpopular concrete shopping complex – nicknamed ‘the hole of Les Halles’ – which was built in the place of the market’s original 19th-century glass and iron buildings designed by architect Victor Baltard. They were demolished in the 1970s in an act many critics have described as cultural vandalism.

The new center features shops and high-end retailers, some of which are located underground, and these combine with leisure facilities such as a new library, a conservatory for the arts and a hip-hop center, all underneath the 270,000sq ft (25,000 m2) roof – described by Berger as a “translucent envelope”.

Explaining the design, Berger said: “The shape, its spaces, and its materialization arise from a confrontation between the state of things and the emergence of new energy to Les Halles. “The Canopy is designed as a substance. The ceramic glass material means that light diffuses in the day and it becomes a chandelier at night. It’s also a shelter at an urban scale against the weather, protecting a global space where one can travel at all times and in all seasons. The morphology of the architecture is the result of a balance between the building’s program and its dynamic location.”

Sustainability, Vanguard Art and Pop Music Two Trailers and a Music Video Share Time and Space

One: My Green Journey Trailer (2:30)

Two: Jasper Johns and Vanguard Art Today Trailer (2:30)

Three: My Believer Music Video (3:21)

The connection of three short videos on sustainability, vanguard art an pop music is time and space. They were all three produced during May 2018;  all three share space here. Why?

The trailers and posters for My Green Journey (17:48) and for Jasper Johns and Vanguard Art Today (35:34) were done in connection with my submission to several film festivals, as part of the required press kit (both films on Vimeo Private for now). My Believer, a music video, was produced in connection with an advanced video editing class that I took at Golden West College.

  1. My Green Journey

This documentary is a brief “autobiography of a vision.” It tells of Ruth Meghiddo’s path from architecture to urban farming and shows how sustainability can be improved by using the principles of permaculture design. Combining earthy pragmatism with futuristic visions, she shows how her concepts of permaculture and eatable gardens within our habitat may help to transform the world we live in.

2. Jasper Johns and Vanguard Art Today

What was supposed to be a short video reporting on Jasper John’s exhibition at The Broad evolved into a short documentary that illustrates Johns’ path from being an unknown artist in New York during the 1950’s to becoming one of the leading artists during the 1960s and 1970s. My research lead to the questions “what is vanguard art today? Who are today’s Jasper Johns working within the present reality? Is there an equivalent in architecture?” The documentary tries to establish a link between one of the most important artists of the 1960s avant-garde, and some of today’s avant-garde artists in multiple disciplines and media: painting, sculpture, film, video-art, choreography, architecture. It provides a stimulant example for the young generation of artists.

3. My Believer

My Believer is an experimental music video, my first and so far only one covering this genre. It is the result of my explorations during an advanced video-editing class that I recently took at Golden West College, taught by Thien A. Pham, a professional editor.

A long story short. In taking care of my “continuous education” in filmmaking, I enrolled in the class during the Winter semester of 2018. There were about students, out of which I was one of the few older than twenty years old and the only one above the teacher’s age. During the classes, we reviewed films’ techniques and special effects, and edited trailers, commercials, and segments of feature movies. Thien A. Pham, originally from Viet Nam, also gave us some insight on Chinese and South Korean filmmaking, which rarely reaches the American Public.

One of the assignments was to edit a music video. We were given the original music of “Believer,” created by Imagine Dragons, and also some clips produced by Adam Henderson, winner of the Adobe Creative Cloud’s Grand Prize.  We were asked to re-edit the visuals freely while covering the entire original recording. Although neither the music nor many of the clips on violence were “my cup of tea,” I took the opportunity to experiment.

Advanced Video Editing Class “selfie” by Thien A. Pham. May 22, 2018.

Copyright R&R Meghiddo, 2017, All Rights Reserved.

Seen, Done, Thought, In-the Making On Photography, Films, Architecture, and 2018 Challenges

The turn of the year offers an opportunity to summarize what we have seen, done and thought, and to program a new year. I am sharing with you selected photos we shot, films we watched and produced, architecture we recorded or selected, relevant books I read, and some thought on “The State of the World,” and what we can do to create a better tomorrow.

IMAGES

Showing images is the best way of “making a long story short.”

Click on: Selected Photography 2017.

Selected Photography 2017

Selected Photography 2017

The selection is personal and eclectic. Some have value as a document of an event rather than for its quality as a photograph.  The gallery includes panoramic photos, images of historical value (such as of architects Eric Lloyd Wright and Dion Neutra getting together in Malibu during Frank Lloyd Wright’s 150th birthday celebration, and civil rights activist  Dolores Huerta, who coined the slogan “Yes We Can – Si Se Puede,” borrowed by Obama ; film directors, producers and actors at Q & As’ we frequented;  Richard King’s memorial and the spreading of his ashes; and some people we met. As a coda, I also added recent underwater photos sent by our daughter Gabby from the Maldives Islands, southwest of Sri Lanka and India; and a few shots of us.

“Stars” included veteran director Marcel OphulsAlexander Payne (“Downsizing,”) Kathryn Bigelow (“Detroit,”) director Joe Wright and actor Gary Oldman (“The Darkest Hours,”) Annette Bening (“Film Stars Don’t Die in Liverpool,”) some images of nature in Idyllwild, and even a bird visiting my desk.

This year I also published for the first time a selection of photographs shot during our “Frank Lloyd Wright pilgrimage” back in 1971, when we visited over one hundred of Wright’s buildings across twenty-five states. 

https://archidocu.com/the-wright-way-2/ 

The Wright Way Photos.

The Wright Way Photos.

SELECTED FILMS SEEN IN 2017

We had a busy year watching documentaries + Q & As’ (presented by the International Documentary Association – IDA ) We also saw many feature films at the American Cinematheque,  at the WRAP, at the LA Jewish Film Festival, and at the Israel Film Festival. I share the list of some of them. They are all very good. The ones in bold letters are “must see.”

Alone in Berlin, Neruda, Hidden Figures, Gigi Gorgeous, Hell on Earth, Nobody Speaks, Dolores, Trophy, Icarus, Intent to Destroy, City of Ghosts, New York Times Op-Docs, 11/8/16, God Knows Where I Am, I Call Him Morgan, Step, One of Us, The Work, Oklahoma City, Finding Oscar, Atomic Homefront, The Rape of Recy Taylor, Under One Sun, An Inconvenient Sequel, Detroit, Columbus, I Am Evidence, Arthur Miller – Writer, Kedi, Chasing CoralBen Gurion, EpilogueCries from Syria, The Divine Order, The Final Year, MachinesFoxtrotCall Me by Your NameDownsizing, Film Stars Don’t Die in LiverpoolThe SquareHuman Flow, I Am not your Negro, Intent to Destroy, Strong Island, Phantom Thread, The Post.

Documentarians are real contemporary heroes. Many risk their lives in bringing to us images of genocidal wars, human brutality, racism, inequality, global warming, migration tragedies, political and corporate corruption, and also beauty in nature, indigenous cultures and extraordinary human beings. Most of this is produced following prolonged research, scouting, shooting, hard-editing work, meager budgets and scarce distribution.

They are a unique mix of artists-journalists working with passion, combining filmmaking excellence with the search for truth. Their work contributes to expanding our consciousness of the world we live in.

FILMS PRODUCED IN 2017

My own production this year was intense. With fifteen published titles, most of which have been published in Cultural Weekly, they exceeded two hours of film. This year I crossed the mark of sixty short documentaries. The ones published during 2017 are:

Tangoing with Paul & Amigos (12:13) A non-scripted experiment.

The Wright Way – An overture (17:21’)   The Wright Way Hint (2:36)  Both the “Overture” and the “Hint” were preliminary warm-ups towards  The Wright Way feature documentary (work-in-progress.)

Tongva Park and the Angelbird (5:33′) This open public space is the best architecture that we have documented this year in Los Angeles.

Architecture + Cinema + Hollywood (29:52) Renzo Piano’s Academy Museum under construction provided an opportunity to link the museum’s content with the Hollywood context and with architecture.

Idyllwild Idyll (9:12) “Back to nature,” this documentary includes the little-known Pearlman Cabin designed by architect John Lautner in 1957.

Netflix Night (2:55’) A not-scripted documentation of my first visit to Netflix.

Normality “Lo-Normali” /(4:56’) It summarizes the documentaries I shot in Israel during 2016.

Radio Day Unabridged (26:11) and  Radio Day (16:43) Both the full version (“Unabridged,” which includes questions on Israel) and the short version are the result of a radio interview hosted by Nancy Pearlman, to which I added visualization later on.

Architecture in a Nutshell (9:20’) An introduction to principles of architecture.

Human-Made Plastic Ocean (3:55) A Plastic Ocean premiere in Beverly Hills. See full cast.

Hanukkah’s First Candle (40:32) The lighting of Hanukkah’s fifth candle in a Greater Los Angeles home was not only the place for the gathering of people from many backgrounds and areas of the the city, but also for the screening of “Never Again is Now,” a new documentary telling a unique story of survival in the Netherlands during the Nazi occupation, and sending a message about the danger of raising antisemitism in Europe and elsewhere, including the United States.

Mormon Temple Visit (1:51) A brief first visit to the secluded Mormon Temple in Los Angeles.

Food for Thought (2:58) Farm Urbana, as presented in “Food for Thought,” proposes practical solutions to help the rapidly growing urban population’s access to fresh food close to home.

FILMMAKING PLANS

The Wright Way, my first feature documentary, is on the way. It is to be a cry-out documentary about how some of Frank Lloyd Wright’s ideas and principles can help to inspire and appeal the young generation to create a sustainable future of livable cities and human settlements. Not a biography, it looks at Wright with fresh eyes and will suggest alternative scenarios for the future of the human environment with a sense of urgency.

ARCHITECTURE

Although 2017 has produced many new projects, I found most of them dominated by “acrobatics,” infatuation with 3-D renderings, and little concern confronting an urgent agenda towards sustainable quality mass-production, to narrow the gap between population growth, decaying cities, climate change and poverty. The production of Organic Architecture was practically zero. I chose to produce a short documentary on one of the exceptions, the  Tongva Park in Santa Monica (see “Tongva Park and the Angelbird” listed above.)

The exception is  Snøhettaan international architecture, landscape architecture, interior design and brand design office based in Oslo, Norway and New York City with studios in San Francisco, Innsbruck, Singapore and Stockholm. A major new building  has opened in the south of France, framing a huge replica of one of the world’s most important examples of prehistoric cave art. Called Lascaux IV, the new visitor complex recreates the appearance and atmosphere of the caves in Montignac where the 20,000-year-old Lascaux paintings are located, but which have been closed to the public for over 50 years.

The examples that follow have been produced by committed architects and designers: Brooks + ScarpaSnohettaWhitaker StudioEric RosenPatkau Architects,  Thomas Heatherwick, and Herzog & de Meuron.

CHALLENGES

World politics had been dominated by the ascent of Trump to power. He is a symptom that denotes a sick society suffering from branding brainwashing, widespread ignorance of the world’s reality and dogmatic beliefs, all of which have been brewed during the past half-century.

Solutions will demand both talking and action, such as:

  1. Containment of Trump until 2020 through the rule of law. All other alternatives are worse.

  2. Awareness of reality as-is. Documentarians have much to say and show on this.

  3. Action-oriented assumption of responsibility, particularly by millennials.

  4. A vision of a better world in healthcare, housing, justice, the urban environment, closing the gap of inequality and much more.

     The UN goals for sustainable development are quite detailed about 17 areas of challenge.

BOOKS

From the books I read during 2017, the ones that I found the most relevant are:

Homo Deus, by Yuval Noah Harari

Internal Ecology, by Darío Salas Sommer

No Is Not Enough, by Naomi Klein

TEACHING

Scheduled to give a six-week class on “How to Look at Architecture” at the Skirball Cultural Center and at OLLI/CSULB,  the classes will include the screening of architecture documentaries I made, to convey visually a better understanding of the importance of good design in our life.

"How to Look at Architecture" class at the Skirball Cultural Center, Jan. 16 - Fe. 20, 2018.

“How to Look at Architecture” class at the Skirball Cultural Center, Jan. 16 – Feb 20, 2018.

Radio Day A Radio Interview Hosted by Nancy Pearlman

 Radio Day from Rick Meghiddo on Vimeo.

 We went to the open-house day of the “Pearlman Cabin” in Idyllwild, designed by John Lautner.  While being at the event, Nancy Pearlman asked me if I would be willing to be interviewed for her  KBPK 90.1 FM Environmental Directions program. I said, “Yes, when, where?” “Today, here,” she said. “OK,” I answered, surprised.

Pearlman Cabin, Idyllwild. Architect: John Lautner.

Pearlman Cabin, Idyllwild. Architect: John Lautner.

Nancy Pearlman

Nancy Pearlman

Nancy Pearlman is an award-winning broadcaster, environmentalist, college instructor, anthropologist, editor and producer and who has made safeguarding the earth’s ecosystems a career. Since 1977, she has hosted and produced the country’s longest-running environmental radio show: Environmental Directions. 

I thought the main subject of the radio interview was going to be John Lautner. Unscheduled, and spontaneous, we touched many subjects: Wright, organic architecture, sustainability, Lautner’s architecture, the cabin’s integration to nature, Idyllwild, organic architects, Ruth’s Farm Urbana, solar energy, desalination and irrigation in Israel, population growth and a view of the future.  Several weeks later Nancy sent me an unabridged copy of the recorded interview, edited by Robert Payne. I decided to produce an abridged version of it, including relevant images and background music. The result is in the documentary included here.

John Lautner / Bob Hope Residence

John Lautner / Bob Hope Residence

John Lautner is one of the few Frank Lloyd Wright’s disciples I appreciate for his originality. He absorbed the essence of Wright’s philosophy without becoming an imitator of “the Wright’s style.”

I met him once. The encounter was circumstantial. During the late 1980s, a couple of clients we had planned to buy the Concannon Residence in Bel Air, designed in 1960, and wanted us to remodel it. We went to visit the site. The house was in very bad shape. It had been abandoned for more than five years by its owner, and puddles of water from leakings were everywhere.

Concannon Residence

Concannon Residence

Since Lautner was still an active architect, I suggested to visit him and check if he wanted to do the job, or if he had any particular suggestions. We went to his office, on the 7000-block of Hollywood Boulevard. In the middle of the waiting hall there was a huge model of a house at scale 1:20. When we entered his private office, a tall man with a grave voice stood up and shook our hands. I explained to him why we came. Facing my clients, he asked “with whom of you two shall I talk? I deal only with one person. If you have any differences of opinion, you solved them at home.” After listening what they had to say, he decided to delegate the project to us.  Before leaving, he handed to me a complete set of working drawings.

Our clients had indeed different opinions. So much so, that they ended up divorcing before the house was bought, and the project vanished. Recently, thirty years later, I learned from Lautner’s daughter, Judith, that the Concannon Residence had been demolished.

 

Stevens Residence, Malibu.

Stevens Residence, Malibu.

Segel Residence

Segel Residence

The problems ahead of us are not only quantitative, they are also qualitative. The message is how to create spaces for people in tune with resources and Nature.