San Diego’s downtown transformation conveys an important message to many cities’ challenges. It is possible to increase density while maintaining high standards of design quality. It is possible to mitigate traffic by bringing efficient public transportation. It is possible to build high-quality public buildings within the budget.
It was late May when we first considered the possibility of registering for a Brendon Burchard “Influencer” seminar in San Diego in October. “We haven’t been there for about a decade. It sounds like a good excuse,” I said. We signed up. It was a good decision. What we saw and learned in a few days well exceeded our expectations.
“What’s new to see in architecture?” I asked Google while doing basic research. A small, five-story, zero energy mixed-use building, Torr Kaelan, caught my attention. It had been designed by Rob Quigley, an architect unknown to me. Some of the building’s details reminded Carlo Scarpa’s design. Googling more on Rob Quigley, I reached the San Diego Central Library project. I couldn’t tell much by looking at the photographs that I found online, but I marked it as a place to visit.
Torr Kaelan
We decided to set our base in Little Italy. I found a lovely small hotel, Urban Boutique, next to a European-style piazza known at Piazza della Famiglia. It was located a mile-plus from the event we planned to attend. “We could do some exercise by walking the distance in less than a half-hour,” I said to Ruth. Once we arrived at the hotel, we parked the car and didn’t move it until we left.
We found the downtown area transformation, since the last time we had been there, very impressive. It had become a thriving center easily accessible by foot, bike, car, or public transportation. Its urban scale was right, the traffic was moderate, and we noticed a number of new, well-designed condominiums.
Downtown San Diego
Downtown San Diego
Downtown San Diego
Downtown San Diego
Downtown San Diego
Yet the biggest surprise was the central library. According to the architect, it had been conceived as “a 9-story archive of flexible space, sandwiched at the top and ground floors, with diverse and accessible public amenities.” The library opened in 2013, following a protracted 17-year period of design and construction. This may explain the 1970s–1980s flavor. The material of choice was concrete, for both cost and maintenance.
San Diego Central Library
San Diego Central Library
San Diego Central Library – Atrium
San Diego Central Library
San Diego Central Library – detail
San Diego Central Library
San Diego Central Library
A spacious atrium and a roof garden, accented by a symbolic dome, provided an urban identity to the building. We found the different areas well crafted, with some of the spaces quite spectacular.
The “Influencer” event, structured as good content (psychology, physiology, productivity, persuasion) wrapped with entertainment, was remarkable for the diversity of over two thousand participants. There were people from all over the United States and also from many other countries. Our new chanceful acquaintances included a woman from Soroka, in the Republic of Moldova, an actress from Istanbul, a French couple from Montpellier and other people ranging in age from teenagers to adults in their seventy’s.
Brendon Burchard “Influencer” Seminar
We couldn’t leave San Diego without revisiting Louis Kahn’s Salk Institute in La Jolla. It triggered memories. When we were in our late twenty’s, we worked in Tel Aviv for Ram Karmi. When Kahn visited Israel, Karmi invited him and his wife for dinner at his condo, and asked us to join them. At the end of the evening, he said “pick up Kahn at his hotel tomorrow morning and take him to see the Central Bus Station,” of which I had been working on its details for several months. The gargantuan building, then under construction, was mostly done in exposed concrete.
Until a scheduled late-lunch, at 3:00 PM, to be joined by Carmela, Karmi’s his first wife, we spent five hours with Louis Kahn all for ourselves! During the three-hour-long lunchtime, Louis Kahn talked most of the time. It was like listening to Socrates. Kahn’s intellect was very high, and his language was, at times, incomprehensible to us.
Back in 1971, we had made our first visit to the Salk Institute at the end of our “Frank Lloyd Wright’s pilgrimage,” during which we visited and photographed over one hundred of Wright’s works across twenty-five states. At the time, the Salk Institute was one of the most famous buildings in the world. Seeing it again forty-five years later was less impacting, although now I could read that, while its work in concrete remained impeccable, its greatness was in its scale and in the way the large court opens to the ocean.
Salk Institute, Chiuli Sculpture
Salk Institute Plan
Salk Institute
Salk Institute
Salk Institute
Louis Kahn
Louis kahn
Ram Karmi
Tel Aviv Central Bus Station
Tel Aviv Central Bus Station
Tel Aviv Central Bus Station
Tel Aviv Central Bus Station project
The link between the architecture we discovered and the people we met produced a highly productive and rewarding weekend!
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