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Art in the Desert 2 Selected artworks from the Desert-X Biennale

Desert-X is a biennale of site-specific art installations in the desert, about 100 miles east of Los Angeles, spread over a large area in the Coachella Valley, about 100 miles east of Los Angeles. The 2025 edition, its fifth, exhibited several artists from different parts of the world. The following is a selection we made, best visualized in the short documentary included here.

Sarah Meyohas’s installation,  Truth Arrives in Slanted Beams, immediately caught our attention,. The fluid serpentine form of the sculpture relates to the context with an architectural quality. Following some research on this young artist, I realized that she is an original thinker. The range of the media in which she works includes photography, film, holography and artificial intelligence.

For the preview presentation, she brought a dance company from Los Angeles, Jacob Jonas, that performed in synchronization with Meyohas work. These two works, the installation and the dancing group, respectively, reminded me the works of two Israeli artists: sculptor Dani Karavan and choreographer Ohad Naharin (Mr. Gaga.)

On the opposite side of Meyohas’s freshness, was the Hungarian American environmental artist and writer Agnes Denes, 94.  She had been ahead of her time in the late 1960s and early 1970s, when the principles of the Land Art movement were established. Here, in desert, she used the iconic form of a pyramid, titled The Living Pyramide, to express the life cycle of native vegetation.

Architect-artist Ronal Rael’s work Adobe Oasis built zigzagging walls entirely of mud, using a 3D printer and robotic programming. This approach could be meaningful for the future of architecture in many parts of the world.

Swiss artist Raphael Hefti’s Five things you can’t wear on TV brings the effects of great distance to proximity. The oscillating line blurs our sense of spatial perception, scale and distance and resonates with the surrounding landscape.

Alison Saar is an LA artist who created Soul Service Station, which was inspired by gas stations around the country.

Jose Davila’s made this installation, The act of being together, out of large marble blocks extracted from a quarry a few hundred miles across the U.S- Mexico border.

Canuupa Hanska Luger created G.H.O.S.T. Ride, an installation meant to house a family from an unknown time.

Art in the Desert Site-specific Art Biennale in the Coachella Valley Desert

Desert-X Howl from Rick Meghiddo on Vimeo.

The relevance of the 2023 Desert X Biennale goes beyond the exhibition of site-specific artworks by emerging artists; their input is spread across an arc of over twenty miles. This action raises our territorial consciousness of art relating to the environment.

Art in the Desert

Land Art artists such as Robert Smithson, Christo and Jeanne-Claude, and Arakawa & Gins, have related to the natural and the built environment with large-scale interventions. In Desert-X an entire area is a stage for individual artists, each approaching the surrounding environment differently.

Susan Davis founded Desert X six years ago and is its director. This fourth edition was co-curated by Neville Wakefield and Diana Campbell, who presented twelve artists from Europe, North America, and South Asia. No one imposed a theme on them.

Area of Desert X artwork’ location.

Rana Begum’s (No.1225 Chain-link) is a London-based artist from Bangladesh. She created a chain link maze-like series of concentric rings inspired by the surrounding mountains. This work is engaging; it is a metaphor for chain links’ positive and negative uses. The yellow color emphasizes the positive. 

Torkwase Dyson (liquid a Place) created a monumental sculpture that is a poetic meditation connecting the memory of water in the body and the memory of the water in the desert. Her abstract work contrasts built and natural scale.

Mario Garcia Torres (Searching for the Sky while Maintaining Equilibrium) gets his inspiration from bulls’ movements and rodeo riders trying to maintain balance. The setting of these mechanical sculptures brings art-related technology to the desert.  

Matt Johnson’s odalisque-inspired (Sleeping Beauty) assembling of shipping containers framed by a railway and a freeway represents a criticism of movement-globalization of goods. Its architectural scale produces a strong statement.

Gerald Clark transforms a traditional Cahuilla basket {Immersion) into a giant game board, using didactical cards of his creation. According to the game rules, somebody can only reach the center by answering correctly questions relating to the traditions and histories of the Cahuilla Indians. 

Himali Singh Soin and David Soin Tappeser (Hylozoic/Desires – Namak Nazar) is a sound sculpture in the form of a salt-encrusted telephone pole equipped with loudspeakers, resembling a flowering cactus. The speakers broadcast the voice of Himali Singh Soin’s poetic declamation.

Lauren Bon, the creator of the Metabolic Studios in Los Angeles, is an artist who works with architecture, performance, photography, sound, and farming, to create urban, public, and land art projects to galvanize social and political transformation. Here she creates an object (The Smallest Sea with the Largest Heart) that represents a Blue Whale’s heart.

Paloma Contreras Lomas (Amar a Dios en Tierra de Indios, Es Oficio Maternal) addresses topics such as patriarchy, violence, class segregation, colonial guilt, and middle-class identity with humor.  An absurd array of tangled limbs of two mysterious characters wearing long hats sprawl out of the car and onto the site’s pristine, manicured grounds.

Tschabalala Self (Pioneer) sculpture focuses on the foremothers, the largely unidentified Native and African American women whose bodies and labor allowed for American expansionism and growth. It visually represents their birthright and place within the American landscape.

Héctor Zamora’s (Chimera) is a performative action in collaboration with street vendors who are omnipresent in the Coachella Valley but often invisible in the landscape. The artist’s work provides opportunities to use materials differently, in this case transforming street vendors into walking sculptures made of balloons. 

Tyre D. Nichols died in January of 2023 after police beat him following a traffic stop in Memphis. The billboards is a tribute to his aspiring photography. This makes a strong statement in direct contrast with the commercial use of billboards and the impact of a freeway on the desert.

Marina Tabassum’sTabassum’s Khudi Bari (Khudi Bari, Bengali for ”Tiny House”) is a Bangladeshi architect who created a prefabricated house that is easy to assemble and disassemble, ideal for building in areas that are likely to be flooded. 

Desert X is an excellent example of the input of many artists, where the whole is more than the sum of its parts. Looking at its geographic scale stimulates our imagination for future invention.