Anish Kapoor is known as one of the world’s great living artists.  Since he won the Premio Duemila Prize at the 44th Venice Biennale back in 1990, his sculptural installations had a significant presence in many cities, including London, at the Tate Modern, Paris, at the Grand Palais, and Jerusalem, at the Israel Museum.
 
        
   “Double S-Curve,” Regen Projects Gallery 
            
   “Double S-Curve,” Regen Projects Gallery 
            
   “Double S-Curve” – Angle 
                
   “Double S-Curve” – Angle 
            
   “Double S-Curve” – Detail 
                
   Passing Bus 
                
   “Double S-Curve” – Angle 
            
   Go Pro Selfie 
          
Anish Kapoor was born in Mumbai in 1954 to an Iraqi-Jewish daughter of a rabbi who immigrated to India from Baghdad with her family when she was an infant. His Punjabi Hindu father was a hydrographer for the Indian Navy.  This mixed and complex background had a powerful influence in his attraction to dualities: concave and convex, matter and void, light and darkness, negative and positive, earth and sky, mind and body.  The range of materials he uses and pushes to their limits is astonishing: stone, steel, concrete, fabrics. Many of his projects are at an architectural scale.  He collaborated with architects Frank Gehry in Chicago’s Millenial Park, Arata Isozaki in Japan, and engineer Cecil Balmond at the ArcelorMittal Orbit in London’s Olympic Park.
Although his reflective artworks in highly polished stainless steel are easily recognizable, it would be a mistake to pigeon-hole Kapoor into this style only.  His crude artworks in sculptural painting and amorphous concrete tell us of an artist in continuous research for new forms of expression.
        
   “Tall Tree and the Eye,” London 
            
   “Tall Tree and the Eye,” London – Detail 
            
   “Cloud Gate” at the Millenium Park, Chicago 
                
   “Arcelor Mittal Orbit” at London’s Olympic Park 
            
   “Arcelor Mittal Orbit” – Detail 
        
   “Marsyas,” Tate Modern, London 
                
   “Leviathan,” Grand Palais, Paris 
        
   “Leviathan,” Grand Palais, Paris 
            
   “Art Nova Inflatable Concert Hall,” Japan – With architect Arata Isozaki 
                
   “Monadic Singularity,” Beijing 
            
   “Turning the World Upside Down,” Israel Museum, Jerusalem 
                
   “Dismemberment of Joan d’Arc,” Buenos Aires 
              
   At Gladstone Gallery, New York 
                
   Printed Cement, Lisson Gallery 
            
   Printed Cement, Detail 
            
   Wax Canon at the Royal Academy of Arts, London 
            
   Sculptural painting detail at the MACRO Museum, Rome 
          
The exhibit of Kapoor’s stainless-steel Double S-Curve at the Regen Projects gallery in Hollywood is good art news for Southern California.
	
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